I often don’t take the time to do structured eyeliner but I often like the look, and keep meaning to wear it more. I especially like it with an otherwise bare eye (except for some mascara maybe, but no liner on the bottom lash line), and I like it more still with an otherwise bare face.
I like gel liner and a fairly stiff angled brush for winged/cat-eye liner. This is MAC’s Dipdown gel liner, a dark brown, and a bit of a plum Tarte Smoldereyes pencil on top of that (these pencils are great, super soft and blendable). There can be some trial and error getting the flicks more or less symmetrical but I tend to do what I can and clean up/shape them up after with a cotton bud. I really could not manage makeup at all without cotton buds.
I like doing a smudgier, softer version with a soft pencil, too, or just eyeshadow. Or doing it in gel liner first and running over with a pencil or shadow to soften (or hide imperfections in a substandard line). As for the philosophy of the flick, I think there are so many shapes that can look good (even a poor execution can look good with enough smudging, a smudging brush is a good investment), and it’s just a matter of practice.
Part of the reason I don’t bother with winged liner, I think, is because it seems like I have to put such a lot on for it to be visible. The flick has got to be pretty dramatic or it is just lost in the crease of my eye somehow. Then there is the issue of time. I really enjoy makeup, and enjoy the transformation and the playfulness of it, but I’m not always (or even often) willing to take the time. It’s an interesting piece of data: that I could look basically as nice as I please (as polished, as well made up, as presentable), if only I would take the time to do it. And I guess kind of interesting too that I usually won’t bother. It’s as if, if I know that I can look really nice, what does it matter if I do?* As if looking like you could look better is as good as actually looking better. Is this the key to the charm of ultra-casual, messy-chic looks? The emphasis on the quality of the raw canvas? [Which may itself be an artificial effect? i.e. no makeup makeup, or stylized disarray?]
*Which is a valid question. Which gets at the question of the motivation behind making any effort at all. Which is reminding me to reread bits of The Feminine Mystique, which I recommend highly.
But I digress…
These earrings are white glass cabochons made from tumbaga, and ancient alloy of gold and copper. Found them in a cool little jewelry shop in Harvard Square that carries handmade jewelry by Latin and Latin American artisans.
It rains in Boston.
Kamik rain boots, Banana Republic trench (thrifted), Mulberry bag, Zara scarf. I really like this trench but I think I’ll replace the buttons with those of a darker color for more contrast.
Listening to this Herman Dune track, a good song for a rainy day:
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