golden bronze

Though my taste is all over the place, were it necessary I would find no difficulty in choosing a favorite style of makeup; the archetype of the golden goddess wins it for me. There is some competition from Old Hollywood Glam and Classic Pinup, from Ethereal Futuro-Avant Garde and Effortlessly Chic Parisienne…but the Golden Goddess, healthy and glowing, aligned with other personally powerful figures like the Amazon and the Pioneer, has a voice that speaks to me with purity and directness, nothing lost in translation and everything just as I would have put it myself. How could I not want to aspire to such a radiant state?

Here are a few products I’m enjoying at the moment for a minimal version of this kind of bronzed, glowing look (manifestations span the range from a touch of bronzer and highlighter to dripping gold, we are working steadily toward the far end of the spectrum).

theseventhsphinx golden bronze

Becca blush in Wild Honey, MAC Mineralize Skin Finish in Soft & Gentle, Tom Ford Cream Color in Spice, MAC False Lashes. Brushes: Morphe E4, Japonesque fan, NARS Yachiyo, Morphe M441.

I was a bit late to the party with Becca’s Wild Honey blush but (despite the hype, which is just as likely to turn me off as get me interested) I really do enjoy it. A bronzer and blusher in one, essentially. There is an extremely fine shimmer that doesn’t read explicitly on the skin but imparts a pretty sheen. For a clearer punch of glow I layer on MAC’s Soft & Gentle, which I cannot imagine finishing in this lifetime. Love to use this with Japonesque’s fan brush, a brush with relatively few bristles of a good stiffness (contrast with the jumbo fan brushes from Morphe or EcoTools with fluffy, tapered bristles, great for bronzer but not accurate/small enough for highlighter, or the e.l.f. fan brush, which is too flimsy and yielding for me).

A few indulgent purchases represented here! Having missed out on the previous limited edition cream shadows from Tom Ford I hustled to pick up one of the new shades just added to the permanent range. I pat this on with my finger and sheer it out with a tapered blending brush. This did crease on me after 4 hours or so the first time I wore it (solo, with nothing else on the lid), so I like to set with eyeshadow. Everything creases on me, basically, so I don’t hold this against it in the least, the ease with which I was able to get a smooth, uniform application…money well spent. [For the record the Charlotte Tilbury cream shadows last longer on me, will have to have a cream shadow smackdown later.]

Another treat to self: the NARS yachiyo brush is my favorite blush brush, full stop. It’s known for being excellent at a sheer application of highly pigmented brushes, but I use it for all blushes, and happily with highlighters and bronzers as well. The Morphe E4 angled blush brush I picked up recently and have been liking for blushes with friendly pigmentation levels. In this case I used it to apply the blush as a bronzer (and I used the yachiyo to apply the blush as a blush…if that makes any sense). I love those looks that are effectively one color in varying concentrations on the face. Reminds me of the great Kate Moss look by Charlotte Tilbury on Lisa Eldridge’s channel, wherein she uses the Tom Ford Shade & Illuminate palette to sculpt the cheeks, jaw, and forehead, and a nearly identical cream color on the eyes. Such great information in this video. It’s a shame that her own videos aren’t as informative as this guest one created so long before she developed her own channel.

MAC False Lashes mascara I like so much more than I anticipated. It’s funny because I recently decided (after doggedly working through a deluxe sample) that I can’t stand Benefit’s They’re Real mascara. False Lash, ostensibly supposed to look like false lashes, provides a nice, separated natural look, and They’re Real, ostensibly supposed to cause some confusion as to the authenticity of the lashes, looks clumpy and rubbish and not at all like fake lashes. What is the opposite of separated in lash-speak?

But, you know, what does it matter to anyone but me? I have decent lashes and don’t usually like a clumpy or super voluminous look, so I’m not the target audience.

Lashes are so personal. Faces are so personal.

Picked up a few things from Morphe, which will show you soon enough.

x

the neutral mattes

I wear autumnal shades year round, and I wear the hell out of them when autumn finally comes around again.

Viseart neutral matte palette

The light is somewhat blue in these images, the bottom left corner shade is a true black, and the shade just to the right of that is a lavender tinged, dove gray. Imagine the whole thing warmer than shown. 

The autumn gift to self this year is the stunning Neutral Matte palette by pro French brand Viseart, whose expensive palettes are regularly sold out at Sephora. Honestly, for $80 it ought to be stunning. And it is. Beautifully chosen shades, not exactly creamy but no fall-out for me either, effortless blendability, great true pigmentation. Is it worth $80? That’s arguable, there are so many solid formulas on the market now that it is definitely not necessary to spend this much (at all) for great eyeshadow (See the Wet N’ Wild Comfort Zone palette). That said, if you are in the market to find a gorgeous neutral matte palette, I don’t think you would find this disappointing.

The shade selection reminds me a bit of the Kat Von D Monarch palette, maybe for that great sepia in the middle.

IMG_0222

Eyeshadow brushes loving at the moment, L to R: Hakuhodo J5523, Paula Dorf Sheer Crease, Hakuhodo J142, Rae Morris 7 Deluxe Point Shader, MAC 217

I’m not converted to the cult of matte everything. If anything I tend to prefer any finish over matte, especially when it comes to skin. Of my favorite matte lipsticks I like the creamiest of the crop, and I think a little shimmer in an eyeshadow makes it significantly more forgiving in application. Mattes, though, are ideal for the kind of no-makeup sculpting I often find so chic and polished. This recent Lisa Eldridge look is a perfect example of the kind of makeup I mean; minimal, clean, natural, mimicking/enhancing the existing shadows and highlights of the face. Done well, this kind of shading is virtually undetectable, done well in another way, it’s slightly detectable but who cares because it’s so lovely.

I also really like that I can see myself using every single shade here (always such a shame when a palette has duds), and with a mix of cool and warm neutrals, especially if you have a few desired shimmer shadows on the side to complement, seriously versatile. I don’t especially care about a single palette being able to do everything at once, I don’t mind carrying a couple of things around, and this palette isn’t especially small anyway, so it was never going to win a convenience battle. It’s a selection of fundamentals.

IMG_0214

Special props to the Rae Morris 7 brush, which caught my eye after I saw Morris using it in this incredible makeup tutorial, which I found inspiring as far as how to think about sculpting an eye. She outlines some techniques I haven’t seen anywhere else. This brush has a dramatic taper to a point, making it great for blending, and great if you have a deeper socket, or want to give the impression of having a deeper socket.

IMG_0218

This is the only palette I brought on vacation (I’m on vacation!), and I’m feeling good about the decision.

Happy autumn.

x