of a feather

First of all, everything is unified, everything is linked together, everything is explained by something else and in turn explains another thing. There is nothing separate, that is, nothing that can be named or described separately. In order to describe the first impressions, the first sensations, it is necessary to describe all at once. The new world with which one comes into contact has no sides, so that it is impossible to describe first one side and then the other. All of it is visible at every point.

                                                                                   — P.D. Ouspensky

feather clutch

I was smitten with this little feather-embellished clutch the moment I saw it. The soft cream leather, the abundance of glossy copper and teal turkey feathers. These are colors I never can resist, anyway. These are my colors. 

Picked up this little gem at NYX Studio in Cambridge, one half of the duo known as Observatory Boutique (a shared space with a talented florist).  This is a wonderful shop with a distinctive, personal-feeling collection of jewelry, antiques, and charmingly potted succulents. One delights in finding such indie spots, where you can speak directly with the designer and have that sensation of genuinely patronizing the business that is lost once a company reaches a certain size.

turkey feathers

It’s always refreshing to me to find a beautiful object. One needs the nourishment of beauty. One needn’t buy it, of course…but it’s not surprising that I would often want to possess beautiful discoveries. I have clearly been influenced by our materialistic, capitalist culture. Not that I buy every little thing I like, but I sense a desire to possess that is often, on reflection, immature-feeling, or hollow-feeling. I’ve been trying to discern subtler nuances in the urge to possess things, such that it is only best of the best that actually comes home, though I still have a ways to go, and sometimes realize that some lackluster item has gotten through the filters.

The ‘best’ things being, here, the most personally harmonious things. Those things which, if left behind, might haunt me.  In the ideal scenario there is a rightness to these things, a mine-ness. They seem, effortlessly, as if they are meant to be mine, without question or doubt or debate. As if they are a natural piece of the intricate machine of me. Not critical, exactly, but part of the whole just the same. Part of a translation, maybe. One small word or phrase contributing to the translation of me, and in some cases a brief encapsulation of me. Who am I? Well, this about sums it up.

On some level I think it really does.

summertime blues

While blue seems to be the favorite color of a significant fraction of the population, it’s one of those colors I often overlook when picking out clothes and accessories. I do like teal and turquoise, which is to say I like my blue with green in it.

When I notice holes like this in my wardrobe (there is also almost no red in my possession, I noticed recently) I like to think about them – about why there might be such an omission, and whether or not I’d like to remedy it. I do abstractly like ultramarine and cornflower blues, baby and powder blues…but there is a great difference between liking a color and wanting to wear it. It’s a decided personal stamp of approval, it seems, to wear (and so, often, to purchase, to have purchased) a color.

If there was ever a time I would want to sport a true blue, summer is it.

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This saturated cornflower blue t-shirt (I know, a t-shirt. So adventurous) is now the brightest blue on hand. The part of me that wants to wear some combination of white, cream, caramel, and cognac at all times thinks it’s a bit garish but I do like it. Fashion baby steps.

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J Crew tee, Joe’s skirt, Steve Madden sandals, vintage beaded clutch, Skagen watch, Vuarnet sunglasses, 10mm pearl studs from Pearls of Joy, pearl ring from Pearl Paradise, 6mm pearl necklace* from eBay, vintage amethyst bracelet. On the lips: Chanel Rouge Allure Velvet in La Favorite. On the nails: Deborah Lippmann Girls Just Wanna Have Fun polish (a really bright, pretty coral).

*I’ve been wanting a choker length pearl necklace in a small pearl size for a long time, basically because of the costumes in movies like Dangerous Liasons, Valmont, and anything set in 18th century France, in which they are often worn by young, unmarried women to great effect. I like how they ever so gently mold to the curvature of the throat, the 6mm size youthful and understated.

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