autumn lips

It’s time for some autumnally dark, properly bold lips.

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There is sometimes concern, when it comes to dark lips, that it can make the mouth appear smaller. It can (and often does) do that, but I think the contrast given in return can more than make up for this. In my case, having no cause to worry about appearing mean-mouthed anyhow, my mouth seems even larger to me, if only because attention is being drawn to it. I often have a similar debate when considering eyeliner under the eye – it can close up and shrink the eye, so the question becomes whether or not the overall effect is worth this drawback.  Perhaps it shrinks the actual eye but enlarges the perceived eye, resulting in a net gain. Or perhaps it doesn’t create any optical illusion of size or spacing but does something else interesting and worthwhile.

With such lips, a simple dark brow is often my preferred path. I didn’t really want to put anything on the eyes at all once it was on, and have only an ultra natural coating of mascara. I especially like bold lips when they seem like an easy afterthought, a vibrant touch to an otherwise unmeditated look.

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And mustard heeled huaraches. Of course.

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 Here’s the kind of deep v I’ve been meaning to wear all my life. The key here is this Topstick mens grooming tape, very sticky double-sided tape meant to work with skin and textiles. Meant for hairpieces, I guess? But I can see all kinds of applications. This is keeping the shirt where I want it. My new favorite wardrobe tool.

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This sublime bordeaux lip is thanks to Julie Hewett Sin Noir lipstick, really a phenomenal color. This is a full-on application but it can be blotted for a softer berry stain. Reminds me a little of Tom Ford Black Orchid but a bit brighter (I think?), and not as creamy in formula. The Noir collection is excellent, not inexpensive but it performs (and great gold packaging). Being a bit waxier than some of my favorite formulas (ex. Lancome Rouge in Love, Tom Ford, MAC creamsheen, Estee Lauder Pure Color Envy, NARS Audacious) helps it to last that much better, so it’s a fair trade-off.

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I’ll have to share some of my other favorite lip products in this wine-worthy shade range. There are many.

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the ascot

It’s a shame how rare it is to see an ascot these days.  Rarer still than seeing a bowtie. Such an elegant way to add a bit of color or interest to a plain shirt or outfit, for men and women alike, with an endearing element of eccentricity. It creates the sense of an additional layer that is really only the illusion of a layer.

Any light scarf can be made serve the purpose.

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This would have been better if I’d worn a shirt that buttoned up farther, maybe. More color this way but there’s something appealing about a small triangle of color peeping out, too. The loose, casual interpretation vs the severe, polished interpretation.  Both have their strengths.

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Silk is a nice way to go. 

The most enjoyable part of wearing a shirt or vest with buttons is the art of leaving certain of them undone. I like the idea of this look with no ascot, nothing at all at the neck, and another button on the shirt undone. Love the looks I’m seeing across runway shows recently (to say nothing of American Hustle, long may it be an inspiration to us all) of extremely deep Vs (front and back). I have many personal aspirations re: the deep V. The smaller breasted of us can wear it relatively innocently, I think. Relatively… It still makes for a potentially distracting eyepath, but one that is much more suggestive than it is revealing.

So much more appealing to me to create the impression of revealing than to literally reveal, which is like explaining the joke.

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Vintage silk scarf from Jones New York, H&M vest, Banana Republic shirt (thrifted), Express jean leggings, Mulberry bag, Trotters loafers. Sunglasses: cheap (retro, no?). On the lips: Shiseido Lacquer Gloss in RS 306.

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I never get it when people with broad shoulders want to disguise them. Shoulders love to be accentuated. They seem to jump at the chance.

But maybe it’s just me, and some lingering 80s influence.

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