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design - The Seventh Sphinx - Page 3

the dreamer

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Marc Jacobs Beauty palette The Dreamer, brushes: Hakuhodo B5520BkSL, H2289, J146, MAC 217

This stunner of a palette from the Marc Jacobs Beauty Style Eye-Con line is one of my new favorite beauty toys. This is The Dreamer, essentially the neutral palette in the collection. I’ve spoken before about the siren-like allure certain color combinations can have, the power of a palette. I might not be interested in the colors individually, not enough to buy them, but combined I am drawn closer and closer to the jewel box. This one I found completely compelling from the start, and especially so once I saw it in person. I wandered into Sephora intending to look at the Night Owl palette from this same collection but it was out of stock and I met this one instead (actually I’m not uninterested in the Night Owl palette, it’s been noted). The golden goddess that occasionally runs the show here gave her immediate approval. Gold, champagne, a pale grapefruit, deep walnut, and warm neutrals… really I didn’t stand a chance against these colors.

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These shadows are what others have promised, they are so creamy as to have veered as far away from the realm of powder as possible without quite leaving it entirely. Sleek packaging. I’m pleased with this line—so anticipated—all around. I don’t like every design from Marc Jacobs by any means but I have admired him for many years now (over 10 years, I realize, since I began following him! After a friend in college with impeccable style noted him a favorite), the clarity of his style, the bold strokes and adventurous lines.

This is a bit too expensive, though, I think. $59 for this palette, and the shadows are not large. So, it is beautiful, but I would not exactly recommend it, at least not over many other excellent neutral palettes at more reasonable prices. But, it is beautiful. The quality is there. Priced similarly to luxury brands like Dior, Chanel, Guerlain, etc. If you are up for it, I think the money is not badly spent. And I don’t already have the ubiquitous Naked Palette, so I justified this effortlessly. I picked up some Hakuhodo brushes a few months ago as well, and liking. Will get into those later.

The lure of this palette made me realize how predictable I am in such cases. Chuck certain colors together and I’m sure to take a second look. Why? Why is this? Why these colors? Golds, caramels, creams…but others, too, which is why, for different but equally compelling reasons, I am drawn to the Night Owl palette as well.

Though, I suppose, why anything? Why do I like Brussels sprouts and ginger so much? Why the smell of vetiver?

Who can say. It seems one might be able to know, if only the data were accessible…but probably this is an illusion.

What are your colors?

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challenge: interior design

Modani, a furniture store specializing in contemporary designs, recently invited me to design a living room infused with my style. The idea is to begin with one of their modern sofas and build out from there, using their accessories or any others. This kind of thought experiment always interests me, underscoring the fluid, plastic nature of style and the sense of the word style that is universal, not limited to clothing or the presentation of the body but inclusive of the entire environment surrounding or belonging to the self.

When you begin to think about style in this expansive way, intimations of one’s style start popping up left and right, its influence revealing itself in every aspect of life. Even if you are not consciously thinking about it this is the case, even if you think you do not have a style, you do. Like an accent. If you do think about it, though, the number of variables up for consideration…endless. The potential for harmony and expression, endless. I have long thought about style in this broad way, a certain way of approaching the world that reflects a bank of principles I am acting on (not so easy to identify these) regardless of the application. That said, I seem often to be contradictory, both minimal and baroque, rustic and modern.

It’s almost more entertaining to design a theoretical living room than a real one as with interior design I always have difficulty making final decisions. They are more final and lasting (and expensive) than most fashion decisions, and not so many of us get to have multiple houses to design.

In the absence of an oxblood leather tufted sofa, I would perhaps go for something completely impractical, like this:

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Modani phantom sofa

Having determined a white base (white walls, definitely, large windows), cream and pale wood accents seem inevitable, and texture becomes critical, the presence of interesting textures to balance the absence of color. Hardwood floors in a pale oaky shade (or whitewashed, even!) and a cream shag rug, say.

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Modani Mateo rug

A few white leather footstools dotted about.

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Modani Tedo stool

I completely fail to get the mania for throw pillows. I can see them being useful for certain lounging positions but the kind that are only for show and actually cannot be used (i.e. are uncomfortable to use)…I don’t get it. Art I get, certain tchotchkes I get, purely decorative throw pillows I do not get. That said there could be some cream brocade pillows on the sofa as well. I guess. And one of these Brahms Mount alpaca cotton throws.

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Brahms Mount Alpaca/Cotton Herringbone throw

A low reclaimed wood coffee table with a simple silhouette, the contemporary sofa contrasting with the raw wood.

J. W. Atlas reclaimed wood coffee table
A grand spalted maple bowl wouldn’t go amiss here.
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Spencer Peterman oval spalted maple bowl
Bookcases, surely. Perhaps something like this, or perhaps one wall custom built with shelves in some useful geometric configuration like this.
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Modani Lugano Library case

So, one wall of books, one wall of windows, one wall mostly a generous passage into the kitchen, and perhaps above the sofa a large brush painting of plum blossoms. Something like this, but I am going to try to paint my own.

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OR, the painting alone on a blank wall, and a large mirror above the sofa instead. Perhaps with a simple wood frame or perhaps with no frame, just clean edges.

A vase with some rotation of my favorite blooms, preferences for white and rosy shades. Peonies, snapdragons, tulips, ranunculus, orchids…

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Simon Pearce Anemone vase

Hm, something to put the vase on…a vintage pedestal table along these lines. I like the idea of some elaborate touch that isn’t quite intuitive but that is still tied in with one of the thematic threads of the room.

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This is a good beginning, I think. Now I’m thinking about the kitchen…

Modani images provided, other vendor images link to vendor pages