great find: Loyal Supply Co.

I was returning from the Korean market in Union Square [too late to get donuts, sadly], preparing for a long Sunday wait for the bus back to Harvard, when I spied a door marked Loyal Supply Co., and next to it a window full of such miscellany as I cannot resist: small Farmhouse Pottery (which love, met their team recently at a design show and was so impressed) pieces, balsa wood airplanes, mysterious contraptions of leather and brass (keyrings? something cooler?), rustic soaps, beautiful scissors and rulers, fine pens and pencils and erasers and sharpeners, all spread out like jewels for the discerning craftsman.

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You know those shops you enter and think, what do I not want from this shop? Or, similarly, I must be a patron of this shop. Loyal Supply Co., for me, is one such place.

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Here is their description of themselves:

LOYAL SUPPLY CO. IS A DESIGN FIRM, RETAILER, AND DISTRIBUTOR OF HOME, OFFICE, AND STUDIO SUPPLIES. WE BELIEVE USEFUL, THOUGHTFULLY DESIGNED PRODUCTS MAKE LIFE MORE ENJOYABLE AND PRODUCTIVE. OUR SPACE, A MODERN TAKE ON A TRADITIONAL PEGBOARD WORKSHOP, DISPLAYS FINISHED PRODUCTS AMONG THE TOOLS THAT MAKE THEM. OUR HOPE IS TO INSPIRE AND ENABLE EVERYONE WHO WALKS THROUGH THE DOOR.

Well said, no?

Especially this: useful, thoughtfully designed products make life more enjoyable and productive. Just so.

It was not easy, as my personal stock of supplies is superb and I had already spent my monthly supply budget (and then some), but I was determined to walk away with something. I settled on this lovely pencil set from The Pencil Company.

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They had me at “one carpenter, one bridge, one white wax,  one no.2, one jumbo hex, and one jumbo round pencil”

Pencil names!

A bridge pencil I did not know! [For designing bridges? Does anyone know? Pencil aficionados?] Jumbo hex!

To think I’ve been missing out on such delights for so many years. I want a life the requires such pencils as these, with their warm, old-fashioned charm and modern, artisan-revolution aesthetic. Do you not?

It comes down to these details, in questions of style. The hair, the clothes, the bag, they are pieces in a larger—and, I hope, more grand—design. To live down to your bones, down to your pencils (and your plants, and the way you walk, the way you plan and execute, the way you turn your head), in your style. Not because you had to think about it, to decide on it (though you may have had to realize it) but precisely because you did not have to think about it. Not because it has been premeditated (though that can be the case, must this be then less authentic?) but because style is instinctive. Inevitable.

Yet, I believe, inevitable in a malleable sense, though perhaps what seems like malleability is only that peculiar kind of change which is not actually change, not most accurately change, but the sloughing off of extraneous possibilities to reveal an increasingly clear identity. And style born out of instinct (unquashed, not covered up or overcorrected) cannot help but be, at least in some sense of that slippery word, good.

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Stamped in gold foil! My spirit pencils. And white. Yes. White always and forever.

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cart unity

I enjoy the process of shopping, whether physically or virtually adding items to the cart (and removing items from the cart, this also key), and find it especially satisfying when there is some harmony or narrative to the cart, as when, in the grocery store, purchasing ingredients that complement one another, seem conspicuously to belong with one another,* reveal precisely what you intend to make with them.

*Conversely, also deeply satisfying when they seem conspicuously not to belong with one another, when the cart contents are markedly odd and unexpected as a unit.

Not every vendor carries a sufficiently broad range of categories to make interesting juxtapositions, though, too, I’ve been pleased with certain combinations of just shoes or just paint brushes – it needn’t be a precisely logical harmony. It’s not that the items would necessarily be used together, though perhaps that might be the case, or it might be fun to imagine it as the case (say, a skirt and a pair of sunglasses), but more that they are aesthetically compelling together according to whatever quirky beauty-logic is currently reigning in my head at the time.

Here’s a recent J. Crew cart I found pleasing, somehow more appealing to purchase these items together than it would have been to get any given element singly.

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Here we have: two neutral silk camisoles, Garance Doré stationary, notebooks, notecard, Troi Ollivierre lipstick in Parker.

See what I mean? Love this largely cream palette with gold accents and that single pop of berry pink. I like the range of textures, too, metallics and silk, paper and cream. What would also have been fitting in this cart is these great cream and gold New Balance 620’s (really like their various brand collaborations, for the record, some great color combinations). Really similar to a pair I was jonesing for last year but couldn’t find from a vendor that would ship to the U.S.

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Only of course they are sold out of my size.

Hm. I’ll try to show some other examples later (do you like seeing what people buy? I’m often interested to know this kind of mundane data, and it’s not a bad way to learn about new products). Definitely doing some spring shopping at the moment.

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