the constant companions

You know those fashion and beauty pieces you always wear hand in hand? Never one without the other? Always this liner with this lipstick, this skirt with those shoes, this jacket with that bag. The category of the fail-safe combo is one I find interesting for reasons I can’t quite pinpoint, like the way I love to watch people putting on lipstick. I’ve seen so many clips—hundreds and hundreds— of people putting on lipstick, and still I am interested to see how each individual approaches the task. It’s not like there is a great range of techniques going on…there are only so many ways to get color on your lips (I distinguish rather a lot of ways, actually, but still there are only so many), but something about the act, the ceremony of it, doesn’t get old for me.

Right. What was I saying?

I like to hear what others are combining, especially when they find the combination more interesting than either element. Perhaps it is the allure of a sum that is greater than its parts? Perhaps it has to do, too, with the concept of personalizing your style. In the commercial environment that makes thousands or millions of units of any item available, the item alone can only say so much about you – much as the brand would like to maintain the illusion that this ubiquitous product is your path to your unique you. It is the personal tweaks that customize the item and make it yours, what you wear it with, how you play it. For me this issue (let’s call it the cookie cutter issue) is directly related to the appeal of vintage, handmade, and antique pieces. I think I am getting off track again.

I love that moment when the pair first meet. For me it usually an instant aha moment, where each item knows it will never be alone again. A number of these inseparable pairs have jumped out at me recently, in particular a new one, my had-to-have-it scarab pendant and my custom Tahitian pendant.

The scarab I have on a long, delicate chain and I often pair it with some shorter pendant, the formula of a short pendant with a long one is not new. The Tahitian pendant is as simple as can be, a stunning teardrop with a simple loop finding on a box chain. It seems like this would be easy to come by but I had the hardest time finding a design as simple as I envisioned. In the end I asked the team at Pearls of Joy if they could show me some of their best drops in the size I wanted (10ish mm) and mount one for me. You may remember them from the gorgeous cherry Tahitian floating pearl pendant featured a good while back.

pearls of joy tahitian pendant theseventhsphinx

I was delighted with the result and wore the pendant alone for weeks when I first got it. The look is so clean and plain, structurally, but then the pearl, if you are near enough to speak to me, is dazzling, with beautiful peacock overtones, green in some lights, violet in others.

One day I had the idea to add the scarab…

tahitian pearl pendant and scarab theseventhsphinx

The two have be constant companions ever since.

Just wait ’til they meet the Tahitian studs I splashed out for in the Mother’s Day sale…

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the RCMA cream cheek color palette

There were a few months where I didn’t really buy any makeup, just skincare here and there, but this past month I was drawn to a number of new products and quite a few have come home with me. Chief among them at the moment is the lovely RCMA Cream Cheek Color Palette, the acquisition of which I can trace directly to Sali Hughes’ wonderful interview with movie makeup artist Morag Ross. Highly recommend all three parts, Ross speaks to the theatrical side of makeup (rather than, say, red carpet or everyday makeup, which I would argue dominates YouTube tutorials and fashion magazine articles), a whole different creature.

Ross mentions using some RCMA products when doing Cate Blanchett’s makeup for Carol to create a natural, skin-like look for the 16mm film. RCMA is a highly pigmented theatrical makeup brand, with pigment levels around 50% (compare with other theatrical brands with levels around 30 or 40%, and commercial brands with levels around 20%). Their foundations and skin products are oil and wax based, which means they melt into the skin and have excellent longevity. I have issues with my skin just swallowing blush, so I popped over to Beautylish to pick up the cheek palette and see for myself. At $30 it didn’t seem like much of a risk, and have I mentioned how delightful Beautylish is? Fantastic customer service.

RCMA Cream Cheek Color Palette

What an excellent little palette this is. I was amazed at the lasting power. The first day I tried it out I put it on around 9am and and it was entirely intact at 7pm. The colors are great, too, a selection of muted and lively rosy shades that are just what I want for spring/summer. It’s versatile and compact, with something for any lip look I might want to match. I have been mainly using the center three. The second shade in, the most brown, reminds me in both color and blendability of my beloved Kjaer Weis cream blush.  I take only the tiniest bit of this on the tip of one finger, dab on both cheeks, and blend out with clean fingers.

I’ve been using these on their own, mostly, but they are great as a base for powder blush as well. I add powder blush when I want to tweak the shade a bit or add some shimmer. These are all without shimmer and have a satin finish.  They blend so beautifully (hydrate first), it’s easy to get a completely natural look, undetectable, and just as easy to warm up to a bold 80’s style cheek. Easy, too, to layer a cream highlighter over or under. Could not be more pleased with this product.

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